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The Venetian Room

$970.00
+To check delivery times during Christmas period please contact our print partner Vision Image Lab on (02) 9319 3300
or 4 payments of $242.50 with
Ships from
Sydney NSW
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Custom options

This product can be customised, so please select one of the options shown in the drop down.

Signed, limited edition print of only 40 of each size. Each print is accompanied by a certificate of authenticity signed by the Editor. Click on the 'read more' link below for full details. 

Sizes

  • Standard - 81cm x 70cm
  • Large - 111cm x 96cm

Frames

Please note that framing is only available for the standard size 

  • Box frames are sourced from sustainable plantation timber 
  • Frame dimensions are 20mm face and 37mm depth 
  • Available in Classic Classic White, Matte Black, Tasmanian Oak & Dark Timber 
  • 2mm clear acrylic with 80% UV protection rating 
  • Artworks are mounted to acid-free foam core 
  • Artworks are set to the rear of the frame with a 20mm space to the acrylic.  

Paper

  • The high quality of the paper should ensure a life of more than 100 years if cared for properly. 
  • A museum-quality, smooth cotton high Classic White is used. It is 315 gsm with 100% cotton linters and a silky smooth matte surface. 
  • It is acid and lignin free with an excellent colour gamut. 
  • The surface has a special matte coating, designed for high-quality fine art and photographic reproduction. 
  • The term 'Giclée Print' (pronounced zhee-clay) refers to an elevation in printmaking technology. 
  • Images are printed with archival quality Ultrachrome pigment-based K3 inks onto canvas and smooth or textured fine art paper. 
The Venetian Room by Kate Bergin
This painting includes my version of Canaletto’s, “The Entrance to the Grand Canal”. To trace the hand of a master is to really attempt to understand what it takes to create something so extraordinarily perfect. As a student at the Victorian College of the Arts from 1990 to 92 I painted many old master images including Durer, Vermeer and Parmagianino in an attempt to understand the techniques of painting. It’s a theme I often come back to and by utilising the Old Master image as a “painting within a painting” it sets off many other contemplations about what a painting is and the threads it weaves through history.
I chose Venice as the background to also reference Italo Calvino’s, “Invisible Cities” and the notion of stories and trade between East and West. The sense of desire through consumption and travel also exemplifies this idea of trade, beauty and the craving for the new and unknown.
I have placed the lion on the tabletop. While it is not the symbolic winged lion that stands guard at the entrance to Piazza San Marco which is the symbol of Venice, it has birds on top to suggest that image. This painting also reflects the contented state of having arrived home and the meerkat at the front seems to be standing guard over us even more than the lion itself.
Never one to trust any feeling of contentment though the black film noir phone sits within easy reach with its dial that reads “In Case of Emergency Dial 170”. Like all domestic situations and fairytales there is an underlying sense that all is not what it seems…the waters may be rising and up here in the tropics a warm but harsh wind could blow through at any moment…

Our printing and framing partner:

Vision Image Lab, our professional printing and framing partner, also arranges framing and delivery. You can contact them directly regarding any delivery enquiries for this print.

Email: accounts@visionimagelab.com.au

Contact: (02) 9319 3300

Kate Bergin has enjoyed a highly successful career spanning over 25 years and she is recognised as a significant contemporary Australian artist . Kate is a multiple finalist of the Sulman Art Gallery of NSW Prize, Portia Geach, Fleurieu and Arthur Guy Prizes. Her work was gifted by Margaret Olley to the permanent collection of the Art Gallery of NSW and her work is currently held in a number of prominent collections in Australia and internationally.

Bergin's iconic works explore the still life genre. These highly detailed and technically proficient oil paintings revel in the unusual, the precarious and the unexpected. Far from 'still', these paintings quiver with movement, laughter and life. It is impossible to ignore their vitality. Animals poised to leap from the canvas, birds to take flight; compositions on the brink of collapse. Bergin’s work, intoxicating and absurd, captures the mundane and the exotic in virtuosic detail.

About Tabletop Variations

The virtuosic paintings of artist Kate Bergin take the viewer on a playful expedition through the absurd and the profound. Strange gatherings of animals and objects are configured in impossible scenarios on the brink of collapse atop tables draped with white cloth, alluding to the conventions of seventeenth century Dutch and Flemish still life painting. Yet Bergin’s compositions are far from ‘still’. They pulsate with movement as animals prepare to leap from the canvas and birds take flight, and yet these moments are frozen in time like mimetic dioramas. It is in this dialogue between stasis and motion, stability and precariousness, that the artist seeks to find, in her own words, ‘balance and imbalance, contemplation within the chaotic and playfulness with a touch of menace – just like any good fairy tale.’

‘Tabletop Variations’ continues Bergin’s focus on the symbolic currency of the ‘un-still life’. The title of the exhibition alludes to Bach’s The Goldberg Variations – a frequent accompaniment in the artist’s studio. ‘The series of diverse melodies unified by a single bass line and chordal structure reflects my own approach to composition’, explains Bergin. ‘These tabletop variations transpose the musical form onto the visual plane, the tabletop providing the ‘bass line’ and the birds, animals and various objects becoming the ‘variations’.’

The paintings visualise the artist’s passionate fascination with animals of all kinds. Displaced from their usual habitats, various species from different continents coexist peacefully in each tabletop tableaux; a poignant image of acceptance and harmony in a world pivoted on segregation. Telephones, teaspoons and spectacles function as visual metonyms for ‘civilised’ society, perhaps signalling the frontier that humans have constructed to elevate ourselves above the animal kingdom. Bergin’s animals chisel a chink in this armature of civilisation, evoking the wilderness that dwells beneath.

Bergin builds each painting around a central character, the tabletop acting as a stage upon which she moves creatures around to create a believable space with convincing relationships. Working from her own photographs as well as from life, she ensures that each animal retains its own identity without becoming too anthropomorphised.

Together, the works in ‘Tabletop Variations’ represent a voyage through art history. ‘This is the joy of art history and our connection to it as painters today,’ reflects Bergin, ‘the circles within circles, the threads that lead you in and out and around, dizzying in all its contrary symbolism.’

All deliveries include tracking and require a signature on delivery.

Delivery within Australia Delivery time Price
Standard delivery Up to six weeks FREE
International delivery Delivery time Price
New Zealand Up to eight weeks

1 x print $30

2 x prints $30

3 x prints $60

4 x prints $60

Plus $30 for every 1–2 prints thereafter

Rest of world Up to eight weeks

1 x print $45

2 x prints $45

3 x prints $90

4 x prints $90

Plus $45 for every 1–2 prints thereafter

Sizes

  • Standard - 84cm x 67cm
  • Large - 115cm x 92cm




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